Here's another review to add to the chorus of kudos about the
latest work of British writer China Mieville, whose second work
of fantastic fiction, Perdido
Street Station, or what he prefers to call "weird
fiction," won the prestigious Arthur C. Clarke and British
Fantasy Awards in 2001 plus a Hugo nomination among others. Thus
he quickly entered the top ranks of the speculative literature
genre community.
This type of acclaim for a sophomore effort, a tough act to follow,
offered a challenge well met by Mieville's third novel, The
Scar, a companion volume making only oblique references to
but independent from its predecessor. Equally wonderful if not
even better than Perdido Street Station, The Scar,
though set on the same invented otherworld of Bas-Lag, takes place
in entirely different environs than the preceding book's multifarious
metropolis of New Crobuzon and it explores far more territory
and contains many darker and more disturbingly suspenseful overtones,
being no less enthralling for all that.
The Scar opens with the linguist/translator protagonist
Bellis Coldwine, whose diary-like observations in the form of
undelivered letters get liberally sprinkled throughout the text,
fleeing recent, life-threatening upheavals in New Crobuzon to
seek sanctuary and anonymity in the Nova Esperium colony across
the ocean. Bellis' sea-going voyage gets aborted by pirates who
capture her and her shipmates, dragooning them into becoming more
or less willing inhabitants of the Armada, the raiders' vast home-base,
a floating city pulled by numerous tugs and constructed from the
hulls of seemingly countless generations of commandeered vessels.
Like most places in this world, the Armada's population consists
of a reasonably live-and-let-live, polyglot, multi-racial and
multi-species melange of sentient humanoid beings, this specific
locale distinguished by its significant number of liberated Remades,
those unfortunates who ran afoul of the law and in punishment,
have had their bodies unpleasantly surgically and/or cybernetically
altered.
Ruling this outlaw commune-of-sorts, we find the Lovers, an oddly
seductive, sadomasochistic couple with audaciously esoteric plans
involving the eponymous Scar, a far-distant place rumored to be
an inter-dimensional, reality-mutating rift where the forces of
probability may be manipulated. Helping them as chief aid in achieving
their grandiose goal, the Lovers employ the formidable warrior
Uther Doul, armored with artifacts from the fabled, vanished,
nonhuman Ghosthead Empire. On board opposition to the Lovers'
scheme comes from the Brucolac, leader of a coterie of vampires
and
the wild-card, mysterious master of espionage, Silas Fennec, spying
for New Crobuzon. Powering the Armada flotilla's progress, a plundered
New Crobuzon drilling rig extracts from the sea-bed, its oil-like
rockmilk fuel, a source of prodigious thaumaturgic energy in this
continuum where scientific sorcery mingles with "steampunk"
technology in a manner Mieville makes surprisingly plausible.
The embittered lonely, ambivalent Bellis, reluctantly employed
librarian for the Armada, finds her skills needed by the Lovers
in order to interpret the language written in a book containing
instructions about how to harness the uncanny avanc, an immense
leviathan-like creature with the strength to tow the seagoing
city to its remote destination at a pace and efficiency far exceeding
the mundane tugs. Subsequently, the coerced Bellis encounters
many far more willing and eager residents of her new home, a colorful,
eccentric crew including two other major characters (besides the
personages already mentioned previously) -- Tanner Sack, a freed
Remade prisoner glad to join the pirates and Tanner Sack's friend,
the youthful, clownish yet innocent cabin boy Shekel, in love
with Angevine, a Remade woman living longterm with the Armadans.
These voyagers experience many wondrous set-pieces, most notably
involving: Salkrikator, the submerged city of the crustacean-like
Scabmettlers, sapient beings offtimes allying with the Armada;
the island of the insectoid Annophelii mosquito people, a folk
suffering a lethal form of gender division with docile, cerebral,
vegetarian men and voracious, blood-sucking, predatory, fearsome
women, exemplars of the dangers of extreme sexual enmity; the
workings of Thaumaturgic science itself, a fascinating blend of mysticism with the mechanistic; the cruelty
surrounding the exploitation of the avanc reflecting the harshness
of the Lovers' attitudes; the sentient, animate, plant-like Cactacae,
elite Armadan guards; Silas Fennec's secret, illegally acquired,
empowering devices, operating in a fashion worthy of Clark Ashton
Smith or H. P. Lovecraft; and the enigmatic, shadowy, ocean-dwelling
sapient creatures utterly without mercy who stealthily stalk the
Armada to play their hand at a crucial climactic moment.
The Scar, with its meandering, episodic voyage at the
center of the plot, reflects reality in a way very few works of
the fantastic do. Embodying Mieville's intent to revitalize the
fantasy/SF genres, the story dynamically ranges from panoramic
spectacles to intimate, dimensionally developed character interactions
-- whether human or nonhuman, all beings having a mix of likable
and unappealing traits. Brimming with nautical adventure, The
Scar's main plot, combined with sub-plots concerning hidden
agendas, all leading up to an awesome sea battle and its telling
aftermath, thoroughly engulfs the reader with unpredictable turns,
stunning imagery and ideas, and mordant irony. The protagonist,
Bellis Coldwine, prickly and often disagreeable, nevertheless
engages because she is so believable, as are so many of her compatriots
with their many-layered personalities. Also adding stimulating
depth to this epic yarn are subtexts riffing off the meaning of
the title, with constant references to wounds and healing and
what the experience of same means in life - for no one metaphorically
goes through this book unscathed, yet as in everyday life, each
individual emerges changed in different, unexpected ways.
Awash in complex, exotic, vivid settings and personalities inevitably
worthy of comparison with classic genre works by Mervyn Peake
and Jack Vance and giants of literature like Dickens and Melville,
The Scar with its thrilling blend of horrific darkness,
ingenious invention, clever concepts and thoughtful, deeper meaning,
deserves to win an array of awards for it ranks among the best
genre novels of the year and maybe for all time. Set sail with
the Armada and get swept away on a memorable reading voyage sure
to make innovative waves in the sea of fantasy, science fiction
and those avante-garde tales that are just plain weird and wondrous.