Dark Folk Songs
by Kristina Nygaard
Dark trip into a medieval land of kidnapings, wicked stepmothers,
and transformed beasts
When most Americans think of Scandinavia and pop music, we think
of sun-kissed, saccharine tunes like those of ABBA, Roxette, or
Ace of Base. Never do we think of dark fairy tales such as this:
From
such lyrics, you would expect mournful death rockers, perhaps,
but the singer from Garmarna,
Emma Hardelin, has the sweetest voice, letting you forget that
you don't understand the language she's singing in. Most of the
musicians play traditional instruments such as the fiddle and
hurdy gurdy, adding in samplers, electric violin and guitar as
needed. The lyrics themselves are from a traditional Swedish folk
tale. And when classified, they fall into a category of folk music
even though you would never guess it. More often than not, this
is the music to accompany complex pagan rites or a late night
ren fest trip. Not really Joan Baez folk -- not from a band who's
name translates to the dog the guards the gates of the Norse Hell.
From another group with a name that translates to the Heathens,
we get more twisted tales:
Red lips hide your teeth
and your tongue is so coarse
In your eyes are fire and white frost
Are you a woman or a fox?
Cunningly and wild, hunting in the night
Long sleeves hiding your claws
Playing lasciviously with your prey,
your mouth is red from blood
You're wild and dangerously beautiful
Your skirt can hardly hide your tail
Coaxing deeper into the mire
with your crazy predatory dance
Just as soon as your cloak has fallen
and your naked body I've seen
you laugh and bare your teeth
and give me love bites deep
- "The Fox", Hedningarna
Hedningarna's
work has spanned 15 years, producing music that is both beautiful
and terrible. They have even taken traditional music one step
further by constructing ancient instruments that had not been
in use for hundreds of years. They use these alongside modern
instruments to create a truly unique and haunting sound. Hedningarna's
vocals are alternately handled by a group of harmonizing or a
spooky, deep male vocalist, adding to the swirling barrage of
aural intensity.
Varttina, more in line
with a traditional idea of folk, is a mostly choral group of women
and men, but they have slowly started to adapt to the new sound
of Nordic folk. From their new album, Il Matar:
The Goddess of Pain has a kettle, the Daughter of Evil a pot;
and in it she's cooking a mess of pain, stirring a bothersome
broth.
Kivutar, the devious maiden of Woeville sits there on Hurt Hill,
on top of a boulder in Woeville.
Wearing a burning shift, she gathers grief, picks out pains,
picking and choosing among them, out in the wrathful rain.
- "Kivutar," Varttina
The
impressive vocal work is a mass of harpies circling in for the
kill, they make you feel exhausted and stimulated all at once.
Their lyrics are less gruesome, almost exclusively using traditional
stories as their subject matter. However the vocal style these
Finnish women use makes the listener feel disturbed enough. Their
voices beautiful and deadly like a black widow entangling its
prey.
These are but a few of a crop of a new genre of Nordic Roots
music. Other artists which cannot be ignored are Hoven
Droven, Sorten Muld
and Triakel. Most of these
bands work through a label in Minnesota, Northside, which has
been tirelessly promoting the musicianship of these fine artists
through selling low-cost samplers and organizing festivals. Get
one of the Nordic Roots samplers for $5, as they say, cheaper
than food, at Northside Records' website: http://www.noside.com.
You can also download MP3s and get links to the official artist
websites (also linked within this article) from there.
About the Author:
Originally from Rhode Island, Kristina Nygaard lives in Atlanta,
GA. Despite her very Norwegian name, she doesn't know any Scandinavian
languages, although she would like to. You can reach Kristina
at imaweena@yahoo.com.