Shaking the Left Hand of Darkness
 |
The
Left Hand of Darkness
by Ursula K. Le Guin |
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LINKS |
The
Left Hand of Darkness (1968)
by Ursula K. Le Guin
Two reviews: by Angelo Ventura and
Wendy Darling.
Angelo Ventura
This
is a book featuring a human race of hermaphrodites. It is said
that they — like Wraeththu — are a genetic experiment.
Humanity has expanded to the stars, seeded a planet now called
"Gethen" by its inhabitants, these mutated humans. For
centuries Gethen was forgotten, unknown, and, after some millennia,
the Galactic Ekumen of Worlds sent an explorer, Gently Ai, to
examine the possibilities of Gethen (called by the Ekumenians
"Winter," being in the middle of a nasty ice age) joining
the Ekumen.
The
Gethenians are divided in various nations and all are hermaphrodites.
Like the Wraeththu, you'll say. Not at all! The Gethenians are
in a state of sexual latency (Somer, nothing to do with "Soume")
save in a period of the month called "Kemmer," when
they became sexually active and randomly become sexually active
male or female. Initially they had absolutely no control over
it, then discovered drugs to determine the sex they would to be,
which some (although most not) chose to take. They are alternate
hermaphrodites, physically, their mind remaining androgynous all
the time.
The
book is all about the "culture encounter" between Gethenians
and this man who comes from the stars. Gethenian see males and
females as "perverts," in permanent sexual excitation,
as for them physical sexual differentiation occurs only in the
period of sexual arousal, or Kemmer.
Mostly
touching is the relationship between Ai and Estraven, a Gethenian
which, after initial incomprehension, Ai comes to befriend. Le
Guin describes with deep insight the ways they see each other,
and their fundamental difference, the fact Gethenians embody the
male and female principle. My favourite moment is when Estraven
asks "How are women mentally different from men?" putting
poor Ai in difficulty for an answer.
The
Left Hand of Darkness is a book rather somber and gloomy for
the most part, but it's worth reading it for the masterful description
of an alien culture and psychology, and for the representation
of the friendship between Ai and Estraven: a message on tolerance
and understanding between representatives of different cultures
that rivals that of The Dispossessed (see review
below), another masterpiece of Le Guin. Like those of Anarres,
the Gethenians are peaceful and abhor war, but, unlike them, have
interspecies political rivalry. Gethenians are very subtle and
cunning, being a very old race, as old as Wraeththu are young.
About
the Reviewer: Angelo Ventura lives in Italy. His email is angeloventura@iol.it.
Wendy Darling
Read
Left Hand of Darkness... Read Left Hand of Darkness...Read Left
Hand of Darkness...
This
mantra seemed to be getting poured into my head for a couple years
before last year, hearing it once again I decided I had better
heed the call and read The Left Hand of Darkness. Everybody
said that, knowing my interests, I'd love it, and you know what?
I did.
Talking
with Storm, she told me that people who read Wraeththu said they
were reminded of Left Hand, but I'd have to say the books
don't have too much in common. Which isn't to say it's not great,
because it is (and has the awards and multiple, multiple printings
to prove it), but just because the two books feature hermaphrodites
doesn't make them similar. As Angelo pointed out in his review,
Gethenians' hermaphrodism is quite different from Wraeththu's;
to them "gender" is a concept that apples only within
the specific context of the few days a month one is in Kemmer.
All other times, Gethenians are sexually latent and there are
no societal roles set up according to gender. When Estraven asks
Ai what women are like, he is asking because he really has no
idea whatsoever. What's revealing is that Ai, having been on the
planet for over a year, alone among non-gendered hermaphrodites,
doesn't really know what women are like anymore either.
Since
this book was first published in 1968, there have been probably
thousands of reviews and essays written about it, probably college
courses where it's discussed for days (in fact, here's a study
guide for it). Because of this, rather than get bogged down
in all the marvelous things that can be said about what Le Guin
does in this book to truly make the reader think and feel new
things, I'd like to describe my favorite moment in the book. Or
actually it's two moments, since the same incident is described
twice, one from the perspective of Estraven and then again by
Ai.
It
happens while the two of them are making an unlikely and extremely
dangerous mid-Winter crossing a giant glacier. The trip takes
weeks and takes everything the both of them have. They pull a
sledge of supplies and sleep in a tent at night — or whenever
they get snowed in. The moment takes place in the tent one night,
after another hard dash of pushing through the Ice Age weather.
As they get the tent set up, Ai reflects that Estraven has been
acting kind of testy and sullen all day and is doing it again,
keeping quiet and seemingly edgy. He asks Estraven what's wrong,
if maybe he's offended him (Gethenians have an honor code which
leads to them getting offended easily at times). Ai is quite surprised
when it turns out Estraven isn't offended — he's in Kemmer.
This in an uncomfortable situation for both of them. Estraven
can't help but respond to Ai's round-the-clock-"Kemmer"
(being a normal human male) but he knows he can't let anything
happen. And meanwhile Ai's whole world turns upside down because
for the first time he fully realizes what Estraven is; he might
look basically like a man but he isn't a man or a woman, he's
just Estraven. This is the turning point in the book.
In
closing, all I have to say is: Read Left Hand of Darkness!
About
the Author: Wendy Darling (nickname Wiebke Fesch) is a web designer, fanfic author,
and editor of Inception. She lives in Atlanta, GA, where she is self-employed,
operating her own web design business, Metro Girl. Wendy is co-author of a Wraeththu
Mythos novel called Breeding
Discontent, and is an editor with Immanion Press. You can reach Wendy
at wdarling@abraxis.com. |