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Goth Music Panel Breaks the Mold
by
Bruce Wells
The
Gothic Journeys opening was the first sign that our collective
and interactive approach to panels would take the convention by
storm (no pun intended). We had a nice selection of people from
different backgrounds and levels of discipline.
From my experience panels tend to be informative to a degree, but overall very
constrained to a formula: The 4 or 5 people on the panel talk for 45 minutes
or so then the audience gets to ask some questions then it's over. That was
not the case with Gothic Journeys. Almost from the start the audience was included
and drawn to comment and share their viewpoints and when the hour was up, it
was ever typical for everyone to hang around a keep talking on the various points
and issues.
I was ecstatic to have been on a panel on Gothic music with the likes of Rogue
from Cruxshadows,
Voltaire, and William Faith from Faith
and the Muse.
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"Music
of the Night" Goth music panel;
Bruce is second from the right |
We
got into how some have no regard for the content of their songs
or the effect they may have on the listener. We talked about
how once the music we create gets out into the world that there
is really no control on who or when a person might encounter it. How there
is some responsibility musicians carry to stay true to themselves,
but also keep the listener in mind. There have been many accounts
of people going out and shooting up their schools, or committing
suicide after listening to certain songs. No musician can gauge
what mindset a listener will be in, but it's never a good idea
to simply leave. My point was that its OK to take people into
the darkness, to express whatever sinister imagery or even
graphic depictions, but to always bring the listener back out
of it. To always give them an exit from that place. That falls
under being accountable for what we create.
We also brought up Marlin Manson. At this point in time there are not many
people in the Goth subculture who like his music, but there is still a huge
respect for everything he's gone through.
Another area we touched on was the music industry. The fact the club DJs
are locked into both playing the same few songs and having to try a gauge
what the people want to hear. How it still takes months for people in the
club to respond to anything new or different and how hard it is to break
in.
At various times during the hour Voltaire would read passages from his newest
book which added a thread of humor to the panel.
I have to say its refreshing to participate in a conversation with others
about something like this and to contribute to something that's such a passion
in my life.
About the Author:
Bruce
Wells is an artist & musician living in Atlanta. Learn
more by visiting the Niberu web
site. Bruce can be reached at niberu@evilemail.com.
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