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Apocalypse Now?
Correlations Between Reality
and Fiction in the Wraeththu Series

by Bridgette M. Parker

The comparison is inevitable. In fact, just about every futuristic science fiction creation with any kind of a following inspires fans and critics alike to draw out parallels between the fantasy and probable reality.

The futuristic world that Storm Constantine crafted in her Wraeththu series contains a plentiful supply of elements for such speculation. Being set in a distant future an indeterminate number of years away, the series paints vivid descriptions of social and political atmospheres, physical environments, and biological evolution.

When the series opens, human society has decayed greatly and anarchy would seem to be commonplace. The shambled state of the world seems to be the result of wars. Reference is made to nuclear war having contaminated some areas. The threat of nuclear war or widespread conflict had seemed to diminish in the post-Cold War age, but recent terrorist activities and wars in the Middle East have made such a future plausible. This is especially true as more nations seek to develop such weapons, or are perceived by other nations to possess them.

Certainly, the world powers that dominate life today are nowhere in evidence by the time of the Wraeththu. This, too, is to be expected. Around the time the original series was published, the Soviet Union declined. Some might argue that the United States has passed its prime as well. History shows without a doubt that most powerful civilizations diminish in a matter of centuries. The future in Wraeththu seems distant enough to have supported a couple such cycles in such a gap of time. This would perhaps explain why North America became Megalithica.

One societal element that at first seemed to miss its mark was the utter disdain shown to the new hermaphroditic species based on a prior widespread contempt for homosexuality and non-traditional gender roles. In reality such prejudices seemed to be easing in Western societies. But, recently such progress seems to have unleashed a backlash, which if unchecked, could very well develop into the sort of widespread contempt described in the novels. Some analysts are pointing to such a backlash in voting results in the United States. After what seemed to be a great deal of progress in gay rights, many areas experienced a surge in same-sex marriages as a form of joyful civil disobedience. But, instead of ushering in a new level of civil rights, many Americans bristled against the attempted progress. "Exit polling showed 'moral values' were at the top of voters' concerns, especially in the 11 states where voters banned same-sex marriage — ballot amendments inspired by the parade of weddings." (Associated Press, MSNBC, 2:36 p.m. ET Nov. 6, 2004)

In addition to the social and political climate described in Wraeththu, vague hints are given regarding changes in the physical environment. The most vivid example is the cable crop that the Cevarro family helps to farm in The Enchantments of Flesh and Spirit.

The farm grew cable crop, which was a hardy, stringy, tasteless vegetable that Sefton Richards had brought down from one of his rare visits north, some years before. It did not grow high and its gnarled pitted fruits burst with a sound like gunfire to release pale seeds in yellow jelly that filled the air with the odour of decay. Despite its uninviting appearance, the cable could be used for everything, from bulk food for livestock to bed springs. It had been created somewhere — soullessly and with these practical utilities in mind... (Storm Constantine, The Enchantments of Flesh and Spirit 2003 Edition, p 18)

Clearly, the crop described is the product of genetic engineering or advanced hybridization. The field of genetics has experienced fantastic achievements in cloning since the original Wraeththu trilogy was first published. Subtle manipulation of plants and livestock for the good of humanity has been occurring for ages. However, with scientific advancements in the tinkering with genetics, such dramatic creations as "cable" become quite plausible in a distant future. This would be especially true in a future shaped by changing climates and harsh conditions.

And such changes would be inevitable given the vast stretch of time supposed to have passed in the Wraeththu timeline. A recent MSNBC article regarding Arctic warming in a report by the Arctic Climate Impact Assessment (ACIA), which was commissioned by the Arctic Council and funded by eight nations, illustrates this. "The report projects that temperatures in the Arctic will rise by 8 to 14 degrees Fahrenheit in the next 100 years. If temperatures then stayed stable, the Greenland icecap would melt altogether in 1,000 years and raise global sea levels by about 23 feet." (Staff reports, MSNBC, 2:56 p.m. ET Nov. 8, 2004)

Any environment set in a distant future would surely reflect the predicted changes and such changes would certainly seem apocalyptic to modern readers, even if they occurred very gradually over hundreds of years.

Other major changes in the Wraeththu world did not take place through years of experimentation or gradual evolution. Like the Wraeththu themselves, one amazing magical species seemed to have appeared in this world practically overnight. These are the sedim, horses in appearance but actually otherworldly sentient creatures who travel space and time, utilizing psychic links with their Wraeththu riders. Based on modern reality, such creatures will remain in the realm of fantasy, although mankind is discovering more advanced levels of intelligence in animals all the time, be it primates taught sign language, crows using tools, dolphins trained by the military.

Even more dramatic than the sedim is the change wrought in humanity in the Wraeththu world. Not only amazing genesis of the Wraeththu and Kamagrian, but the terrifying decline of mankind, as well. This will be the focus of Part II of "Apocalypse Now?" in the next issue of Inception.

About the Author:
Bridgette Parker is co-author of the Wraeththu Mythos novel Breeding Discontent, as well as several other pieces of Wraeththtu fan fiction. can be reached at bridgetteparker@hotmail.com.

 
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