An American art historian, Jacqueline Carey, produces an amazingly
fine first fantasy aptly subtitled "a novel of passion, magic
and betrayal" in Kushiel's Dart, set in a meticulously
conceived parallel world version of Renaissance Europe in which
geopolitical, cultural and religious manifestations are fascinatingly
skewed from their analogs in consensus reality.
The protagonist/narrator comes from the Mediterranean-like country
called Terre d'Ange where the inhabitants believe themselves descended
from angels born from the mingling of the tears of the Magdalene
weeping over the sacrifice of Yeshua ben Yosef, (a Christ equivalent),
with the blood in the earth below him. The great Earth Mother
used the ensanguined soil to form Blessed Elua, the most beloved
of Angels and eight followers who embody various aspects of his
sacred precept, "Love as Thou Wilt". The D'Angelines,
according to their concepts, descended from these demi-gods (or
so our heroine Phedre informs us), interpret this message quite
literally and regard all forms of intimacy as holy acts of worship,
including those we would find anathema in our culture.
Phedre, "a whore's unwanted get," at a young age, gets
sold into one of the Houses of the Night Court where the highly
developed arts of sexual expression serve simultaneously to bring
pleasure and to honor the higher powers. Phedre, of pleasing appearance,
possesses a distinguishing red pinprick mark in one eye, the eponymous
Kushiel's Dart of the rare "anguisette," whose gift
is to enjoy all types of sensual stimulation including pain.
When the noble Anafiel Delauney buys Phedre's bond, he treats
her like a favored daughter, training her to be literate in several
languages and in politics, history, philosophy and the arts of
pleasure while also encouraging her to hone her observational
and critical abilities to become a valued courtesan and a capable
and unobtrusive spy. Allowed to accept only those clients she
chooses, Phedre receives payment in the form of rich gifts and
gathers information for Delauney's enigmatic purpose, which he
declines to divulge although his intrigues seem connected to the
Royal Family, regnal succession and revenge motives.
Phedre becomes the unwitting victim of Melisande Shahrizai, Delauney's
former partner, now rival, a cunning and ruthless antagonist whose
intricate Machiavellian machinations include not only Delauney's
destruction but also the rule of Terre d'Ange. Unable to stop
Delauney's downfall or to resist Melisande, Phedre, betrayed along
with her sworn companion/bodyguard, a warrior-priest named Jocelyn,
gets sold into slavery among the northern barbarian Viking-like
Skaldi. Eventually, Phedre and Jocelyn make a grueling escape
and journey back to their homeland to deliver a warning of immanent
invasion, the beginning of adventures involving: banned poets;
scheming courtiers; deposed royalty; daring sea voyagers; fascinating
Albans (analogous to Celts); gypsyesque Tsingani (including a
reunion with childhood friend Hyacinthe); unexpectedly heroic
traitors; an embattled Queen; and rare but significant manifestations
of a supernatural nature.
Reminiscent of masterful works of the imagination by Guy Gavriel
Kay or such as Richard Adams' Shardik and Maia,
Jacqueline Carey's Kushiel's Dart maintains a distinct
voice in its narrator/heroine who, like all the characters, leading
and supporting, possesses deeply dimensional complexity and believable
motivations. Phedre, with her perceptive, unsparing gaze and wry
wit, records her thrilling adventures and personal growth, (she
comes to see her "gifts" as both a curse and a blessing
while never losing her religious zeal). She manages to convey
a sense of a rich and varied world full of layers of history,
tradition and cultural diversity. Most fascinating and potentially
controversial are the descriptions of a wide variety of sexual
practices with partners of every gender and persuasion, never
gratuitous and always tinged with the sacred potential of every
such encounter according to the beliefs of that world.
Kushiel's Dart, despite its length, offers such a riveting
yarn of intense emotions, intriguing background details, compelling
personalities, provocative blends of Christianity and Paganism
and spiritual sensuality that readers will finish it satisfied
yet eagerly awaiting the sequel hinted at in the concluding passages.
Recommended for a mature, non-judgmental audience, brilliantly
presenting its non-standard notions of magic and morality, the
epic Kushiel's Dart by turns grandiose and intimate, pierces
to the core and resounds long in the memory.